
Folk music takes many forms in a broad musical tradition, although the dividing lines are not rigid, and many artists work across the boundaries. Culturally, there is a split between the Gaelic tradition and the Scots tradition.
The oldest forms of music in Scotland are theorised to be Gaelic singing and harp playing. Although much of the harp tradition was lost through extinction, the harp is being revived by contemporary players. Later, the Great Highland Bagpipe appeared on the scene. The original music of the bagpipe is called Piobaireachd, this is the classical music of the bagpi
pe. 'pìobaireachd' literally means 'piping' in Gaelic. It is also known as 'cèol mòr' which means 'great music'.

Classical music
Early musicThe harper on the Monifeith Pictish, c. 700 - 900 AD
Stringed instruments have been known in Scotland from at least the Iron Age; the first evidence of lyres outwith the Greco-Roman world were found on the Isle of Skye, dating from 2300 BC, making it Europe's oldest surviving stringed instrument. Bards, who acted as musicians, but also as poets, story tellers, historians, genealogists and lawyers, relying on an oral tradition that stretched back generations, were found in Scotland as well as Wales and Ireland. Often accompanying themselves on the harp, they can also be seen in records of the Scottish courts throughout the medieval period. Scottish church music from the later Middle Ages was increasingly influenced by continental developments, with figures like 13th-century musical theorist Simon Tailler studying in Paris, before returned to Scotland where he introduced several reforms of church music.
Classical Per

Scotland has produced several notable performers of classical music, including the percussionist Evelyn Glennie, the pianist Murray McLachlan, the violinist Nicola Benedetti, the violist William Primrose, singers Isobel Baillie, Henry Herford, Margaret Marshall and Kenneth McKellar, classical guitarist Paul Galbraith, clarinettist Alison Turriff and conductors Bryden Thomson, James Loughran, Donald Runnicles, Garry Walker and Sir Alexander Gibson.
Pop and rock were slow to get started in Scotland and produced few bands of note in the 1950s or 1960s, though thanks to accolades by David Bowie and others, the Edinburgh- based band 1-2-3 (later Clouds), active 1966–71, have belatedly been acknowledged as a definitive precursor of the progressive rock movement. However, by the 1970s bands such as the Average White Band, Nazareth, and the Sensational Alex Harvey Band began to have international success. The biggest Scottish pop act of the 1970s however (at least in terms of sales) were undoubtedly the Bay City Rollers. Several of the members of the internationally-successful rock band AC/DC were born in Scotland, including original lead singer Bon Scott and guitarists Malcolm and Angus Young, though by the time they began playing, all three had moved to Australia.
Scottish extreme metal bands include Man Must Die and Cerebral Bore.
Scotland has a strong jazz tradition and has produced many world class musicians since the 1950s, notably Jimmy Deuchar, Bobby Wellins and Joe Temperley. A long-standing problem was the lack of opportunities within Scotland to play with international musicians. Since the 1970s this has been addressed by Edinburgh clubowner Bill Kyle (the JazzBar) and enthusiast-run organisations such as Platform and then Assembly Direct, which have provided improved performance opportunities.
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